Live From Oaxaca

Photo © Tewfic El-Sawy -All Rights Reserved
After suffering the trauma of temporarily losing my checked-in luggage between Newark, Mexico City and Oaxaca, I was delighted to be reunited with my belongings a mere 4 hours later. Not too bad Mexicana Click!! Of course, I jumped the gun and bought toothpaste/toothbrush and some other essentials (even a t-shirt) just in case, but that story ended well.

So here I am typing/blogging away in the patio of the delightful Hotel Aitana in the Centro Historico de Oaxaca, after a morning replete with photo ops in the two main markets of the town. We were glad to photograph a Guelaguetza rehearsal of young boys and girls at the Zocalo, who were prepping for a main event next Saturday.

We are waiting for one more member to join our group this afternoon, and we will then start the afternoon session. In the meantime, here's an image of a Oaxacan laborer. I can't tell if it sharp, or well processed as I'm using my Acer netbook...but it'll do for now.

Prantik Mazumder: Mexico

Photo © Prantik Mazumder-All Rights Reserved

 Prantik Mazumder is a self-taught photographer, originally from Calcutta, India, and moved to North America for his graduate studies. Currently settled in Ithaca, New York, he's pursuing a career in scientific research.

He traveled to Mexico in 2006 with his first digital SLR, and has images from New Orleans, Ithaca, Peru and Mexico. I particulalry liked the above picture made in San Cristobal de las Casas, Chiapas, because of its colors and composition...and for the graffiti.

The Revolucion signage with the graffiti asking the local police not be brutal while the woman is covering her eyes is a message in itself.

Michelle Frankfurter: Destino

Photo © Michelle Frankfurter- All Rights Reserved

Having read Cormac McCarthy’s, The Crossing, Michelle Frankfurter started to photograph along the US-Mexico border, and focuses her photo essay Destino featured on Burn magazine on undocumented Central American migrants who travel across Mexico in an attempt to reach the United States to work.

It's a sad tale that highlights not only the harsh risks inherent in such an endeavor, be it from criminal gangs, from corrupt police, from accidents to a myriad of other life-endangering events on the way.

A number of photographers attending the Mexico Foundry Photojournalism Workshop chose a similar subject for their documentary projects, and the area known as La Lecheria, where migrants seemed to converge to hitchhike north-bound trains, was a magnet for those photographers.

Michelle Frankfurter is a documentary photographer who worked for three years as a staff photographer for daily newspapers: The Herald – Journal and Post Standard in Syracuse, New York. She spent three years living in Nicaragua where she worked as a stringer for the British news agency, Reuters and with the human rights organization Witness For Peace. In 1995, a long-term project on Haiti earned her two World Press Photo awards. She has worked for a number of editorial publications, including The Guardian of London, The Washington Post Magazine, Ms., Time, and Life Magazine.